 Artist: Wolf Eyes: mp3 download Genre(s): Rock Indie Other Discography:  Human Animal Year: 2006 Tracks: 8  Helloween Holocausts (Disc 4) Year: 2005 Tracks: 2  Helloween Holocausts (Disc 3) Year: 2005 Tracks: 2  Helloween Holocausts (Disc 2) Year: 2005 Tracks: 1  Helloween Holocausts (Disc 1) Year: 2005 Tracks: 16  Feed Back 2005 (live) Year: 2005 Tracks: 1  Burned Mind Year: 2004 Tracks: 13  Slicer Year: Tracks: 7  Lost Sockets Year: Tracks: 3 Drawing from such disparate sources as Throbbing Gristle, Black Flag, and King Tubby, the Michigan trio Wolf Eyes produce harsh and hypnotic electronic landscapes that flux the phrenetic zip of hard-core with the nihilistic endanger of early industrial and disturbance. Constant touring in the early 2000s brought the group a warm cult winnow stem and opened the hermetic world of the noise underground to a newfangled generation of curious indie bikers, punks, and experimentalists. Ab initio, Wolf Eyes was the solo cognomen for Nate Young, vocalist and chieftain instrument builder of the group. Young was antecedently a member of electronic absurdists Nautical Almanac, Neanderthal performance company the Beast People, and party stochasticity duo Mini-Systems. The latter group featured many of Young's artful musical instrument creations, including a pulsing eyeball that oozed fuzzy unchanging and a glow three-tiered synthesiser cake, which were as visually dynamic as they were sonically curious. After a lone solo cassette in 1997, Young added guitar player and fellow Beast People member Aaron Dilloway to the Wolf Eyes plica in 1999. Dilloway had an as storied past tense in the Michigan resistance as a member of Galen, Couch, and the Universal Indians, and as proprietor of Hanson Records, which along with the more rock-aligned Bulb Records was the chief vent for many of the groups mentioned above. As a duette, the effectual of Wolf Eyes was rooted in rock riffs more than abstract electronic weirdness. However, even as their self-titled debut was released on Bulb, the band's sound was changing. Tiring of the rock english of their effectual, the duad did a series of limited edition collaborations with Universal Indians drummer John Olson as Wolf Eyes with Spykes. The Spykes name was one of many aliases for Olson, whose fertile stochasticity and experimental outturn was forever released on his influential tube American Tapes label. Olson meshed perfectly with Young and Dilloway, and from 2000 on, Wolf Eyes would be known as a trio. Their succeeding proper release came with Dread in 2001 (reissued on CD in 2002), only along the way the group furiously documented their growing, releasing 25 tapes and CD-Rs on both Hanson and American Tapes that twelvemonth. The next class sawing machine another freshet of limited tube releases as well as the CD re-release of one of 2001's more experimental Wolf tapes, Slicer. Touring was motionless a bad office of the group's docket as well, putt the Midwestern trio in touch with many admiring fans, including East Coast label Troubleman, which signed the stria up for 2002's Dead Hills EP. A circuit with likeminded sonic arsenalists Black Dice lED to a collaborative LP on Fusetron in 2003. The undermentioned class Sub Pop united the winnow club, issuing the Stabbed in the Face 12"; Burnt Mind arrived later that class. More singles, including 2005's Screw the Old Miami and 2006's Equinox, Black Vomit, and Driller/Psychogeist awaited the full-length Human Animal, which was released in fall 2006 and featured new phallus Mike Connelly of the likeminded Hair Police (by that time, Dilloway had ceased to circuit with the stria just miscellaneous this album). The Troubleman Unlimited release Solo, which reissued some of the group's limited edition cassettes sold on term of enlistment, too arrived around this metre. |
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